A villa at Prestige Golfshire near Nandi Hills is the location where the shooting of the film Bhinna is on. Directed by Adarsh H Eshwarappa, the film is a psychological thriller, which will have just four characters, played by Paayal Radhakrishna, Sowmya Jaganmurthy, Sidhaartha Maadhyamika and Shashank Purushotham. Adarsh says most of the film is “being shot only at night and the film will be like a puzzle that the audience will have to solve.” We reach the destination at 6.30 pm and watch the crew work to set up the place for the night’s shoot, while Adarsh discusses the scenes with the actors and Andrew Aiello, the DOP for the film. We take a quiet place in the villa to watch the real life action that will be captured on reel. Algebra linear boldrini 3 edição pdf download. The work is done fast, but Adarsh wants to wait till 7 pm “when the sun goes down completely” to start the shoot. Dark moments The shoot begins at around 7.15 pm when it is totally dark outside. Unlike most other sets where there is a lot of action and noise, this one is a rather quiet place. It is a scene where Sowmya is supposed to walk into her bedroom and look at certain things. When the action starts, what strikes us most is that every movement, except in the bedroom where the scene is being shot, comes to a standstill. A villa at Prestige Golfshire near Nandi Hills is the location where the shooting of the film Bhinna is on. Directed by Adarsh H Eshwarappa, the film is a psychological thriller, which will have. It is not just the darkness outside that you notice but also that the set is also dark. Minimal lighting is used for the shoot and the whole villa is also turned to a dark room, adding that eerie touch. Once again you are hit by that silence — both inside and outside. In fact, it is so quiet, you can almost hear a pin drop. After a couple of takes, Adarsh is happy and they shift to the next shot which has Sowmya looking for something in a bag and through the boxes in her bedroom, before she walks out of the room into darkness of the villa. They do three takes and Adarsh and the camera man give each other a thumbs up sign. Adarsh shouts the word “cut’ into his walkie talkie and you hear a light commotion as people get back to set up the place for the next shot. When the camera rolls. Andrew Aiello says “As we are dealing with various psychological levels of the characters and their emotions, I am are trying to follow those lines visually too. We have some tracking shots which are being used only from the character’s point of view — making it look like she is drawing us towards her or moving away from us. The film is minimalistic in sound and movement and the challenge of filming this is to not think too much. You have to let the story be. I think we did too much visually for Shuddhi, but here we want to keep it contained and not go too crazy with the visuals.” Just intense Sowmya Jaganmurthy, who plays one of the four characters in the film says, “I play a business consultant and my character is a chilled out person. Today we are shooting a scene in a bedroom which builds up in intensity. This is the scene from where the mystery actually builds up.” Shashank Purushottham, adds, “I play an upper middle class man who is an actor in the film. This night’s shoot is confined to this villa. I am happy to be a part of this film as I also seem to have a tendency to choose to be a part of such off beat films”. Payal Radhakrishna plays the character of an actress who is reading a script in a forlorn place, where every character comes alive in front of her as she is reading. “Today I have an intense scene and am a little jittery. This is my first night-shoot film which involves me mentally, emotionally and physically,” she says. The next scene starts. The clock has struck nine. As the cameras roll, the silence is back. But, this time you can hear the crickets outside and our own breathing inside, besides the light rain drops gently hitting the large windows of the villa. Once the shot is okayed.
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